Tag Archives: green

What colour is your office?

Decorating-GOMIX-new-office-2

I just saw an interesting article by Kim Lachance Shandrow about how the colour of your office can affect productivity. The article refers to a paper (2007) in Color Research and Application (CRA) by Nancy Kwallek entitled Work week productivity, visual complexity, and individual environmental sensitivity in three offices of different color interiors. The paper suggests that the influences of interior colours on worker productivity were dependent upon individuals’ stimulus screening ability and time of exposure to the interior colours. CRA is a top quality academic journal that is peer reviewed and so I am respectful of the findings.

However, in Kim’s online article there is a lot of stuff that I am highly sceptical about. For example, she writes that “Red … increases the heart rate and blood flow upon sight.” Is this true? Is there really any evidence for this. I have two PhD students working in this area right now and I am far from sure that colour does affect heart rate and, if it does, the effects are probably tiny. And yet we can read statements like this all over the internet as if it is a fact beyond doubt. Other things she says that I take with a pinch of salt is that “green does not cause eye fatigue” and that “yellow triggers innovation.” Don’t get me wrong – I am very interested in how colour can be used to affect us emotionally, psychologically and behaviourally; it’s just there is a danger that if some things are said often enough (such as red increases your blood pressure or heart rate) then people start believing them even though there may be little evidence.

That said, you might find the infographic fun and it is well done. See the original and full article here.

black plants can save the world

leaves
About three years ago I posted about the question of why leaves are green. In this I postulated as to why chlorophyll (the green stuff in leaves) should be green; after all, this means that it only absorbing some of the wavelengths in the visible spectrum. In fact, I argued that it would be better if plants were black, absorbing all of the wavelengths in the visible spectrum. Now, someone on co.design is suggesting just that – that green plants absorb only about 2% of the possible energy and that scientists are thinking of turning them black. Presumably this would save the world because plants would be more efficient at converting harmful greenhouse gasses into oxygen. There’s catch though, apparently. If you make the plants black they get too hot and overheat resulting in cell damage. Actually, I also suggested this might be the case in my original article in 2011. Looks like black plants won’t save the world. They won’t even save themselves.

There’s nothing wrong with black carrots though – see here.

BP fails to win protection for green colour

BP

The oil giant BP has again failed in its long-running bid to trademark the colour green in Australia.

The intellectual property watchdog, IP Australia, found BP was unable to show “convincing evidence” that it was indelibly linked in the average petrol consumer’s mind to the dark green shade known as Pantone 348C, a spokeswoman for the government agency said.

BP first tried to register a trademark for the colour in 1991, and until 2013 fought legal battles against another corporate titan, Woolworths, to stake its claim to the colour as the dominant shade for its service stations.

For the full story see http://www.theguardian.com/business/2014/jul/03/bp-loses-battle-to-trademark-the-colour-green-in-australia

good reasons to use colour

I just came across this nice article – http://understandinggraphics.com/design/10-reasons-to-use-color/ – entitled 10 reasons to use color.

The article lists 10 good reasons to use colour in design. Number 10 is using colour for metaphor and taking advantage of the associations that are inherent in phrases such as feeling blue or green with envy. There is no doubt about the meaning in the image below; that the woman is filled with envy.

color-for-metaphor

Where is colour mixing?

Imagine that we have three projection lamps at the back of a hall – one has a red filter and so produces a beam of red light, and the other two use filters to produce green and blue beams. We project these onto a white screen and get three circles of light (one, red, one green and one blue). We then move the angles of the projectors so that the circles of light overlap. We get something that looks rather like this:

ColourMixing

Where the red and green light overlap we get yellow. We get magenta and cyan for the other two binary mixtures. So,

red + green = yellow

red + blue = magenta

green + blue = cyan

This is called additive colour mixing as I am sure you know. And if we mix all three primaries we can achieve white (or other neutral colours). The primaries could be single wavelengths of light – so we could use a primary at, say, 700 nm (for the red) and one at 450 nm (blue) and one at 530 nm (green). So green light (530 nm) and red light (700 nm) additively mix together and generate yellow. When this happens what is being mixed and where does this mixing take place? Take a few moments to consider this before reading on.

Notice I said that they additively mix to generate yellow – I specifically avoided saying that they mix to generate yellow light. When I sat down with a couple of students last week and asked then what they though they said that the red and green light mixed together to create yellow light and when I pressed them, they went further to say that the yellow light was at about 575 nm.

visible-a

If we measure the part of the screen that is yellow we would see that we have some light at 700 nm and some at 530 nm. The wavelengths are not mixed; they don’t mix together to generate some third wavelength of light such as 575 nm. So no physical mixing takes place other than – I suppose one could argue – that the red and green lights are mixed in the sense that they are spatially coincident. But that’s not really mixing, for me, and certainly doesn’t even begin to explain why we have the sensation of yellow when we look at these wavelengths together. It also makes me think that additive colour mixing, if it can be said to occur anywhere in particular, occurs in the eye. And I do mean eye, not brain.

Whitehall colour branding

The UK government is set to rebrand its departments with bold new colour schemes. The new colours include lots of blues and greens; for example, navy blue for the Foreign Office, bright blue for the NHS and green for the Department of Energy and Climate Change. However, the The Department for Culture, Media and Sport, which is purple at the moment, is reassigned bright pink.

Read more here.

The Incredible Grey Hulk

When I was young I used to read Marvel comics. My favourites were Spiderman and The Fantastic Four but I also liked the Hulk and Thor. When I was about 10 (in about 1972) I even had this idea of designing a wrist band that could shoot out web like spiderman. What I needed was a substance that would flow (as a liquid) when it was shot out but then quickly solidified to create the web. I noticed that polystyrene turned liquid under heat and I started to build a prototype. Sadly it never worked. But I often wonder if this incident sparked my interest in chemistry, an interest that led me to study Colour Chemistry at Leeds University in 1983 and finally to my lifelong passion for colour.

I just came across a story that the Hulk was not green in the original comic strip versions. He was grey!! Apparently, in The Hulk’s debut (May 1962, a few days after I was born) Lee chose grey for the Hulk because he wanted a colour that did not suggest any particular ethnic group. The chap in charge of the colour, Stan Goldberg, however, had problems with the grey; colour management was not what it is now and this resulted in several different shades of grey, and even green, in the first issue! Given the colour problems, Lee chose to change the skin colour to green. What a shocker! Next, I’ll probably find out that Spiderman was not real!!

traffic lights for everyone

About 8% of men are colour blind. In the past I have written about how designers may not adequately take this into account effectively ignoring 4% of the population. I also wrote about how in Korea the problem of traffic lights for colour blind people was being addressed by using different shapes for the different colours.

Now I am interested to hear about a development from Japan – Professor Ochiai at Kyushu Sangyo University has developed a clever modification that is not noticed by people with normal colour vision but helps those who are colour blind. Before the introduction of LED lights people often could tell red from green by the difference in brightness. But LED lights are so bright that they look rather similar in brightness, and for someone with red-green colour blindness they may look identical. Professor Ochiai has added a blue cross to the red light which is very visible to colour-blind observers but can hardly be noticed by the rest of us. Very clever!!

The new lights are being tested in Fukuoka and are due to go on test in Tokyo soon.