We’re starting a new programme at Leeds University next September. It’s MRes Colour Communication. This is a one-year Masters programme by research but with a twist. There is a taught component in the first semester to get everyone up to speed to make sure they understand the basics of colour communication. They then explore one aspect of this in their research project and submit a dissertation at the end of the year. Please contact me at my University email of s.westland@leeds.ac.uk for further information or visit http://www.design.leeds.ac.uk/pg/research-degrees/.
Category Archives: news
dog vision
I just read an article in The Daily Mail that says that most people think dogs do not have colour vision. The article then goes on to say that Russian scientists have proved that dogs do have colour vision. It seems to me quite accepted that dogs are dichromats – that is they have two types of light-sensitive cells that contribute to colour vision in their eyes. We – humans – are trichromats because we have three such cells. It turns out that the one that is missing – in dogs – is such that dogs’ colour vision is rather like that of a human who has red-green colour blindness. The image below shows how the spectrum looks to a trichromatic human and a dichromatic dog.
As you can see, dogs can bee blues and yellow but have difficulty discriminating between colours in the red-green part of the spectrum. So I am not sure what the fuss is about with the Daily Mail article. After all, everything in the Daily Mail is true!! See http://www.youtube.com/watch?v=5eBT6OSr1TI if you don’t believe me.
AIC2014
As some of you may know, I was General Chair of AIC2013 this year. We had a great time in Newcastle and spent a week with over 600 delegates talking about colour. But time moves on and we are approaching 2014. I would therefore like to draw your attention to the next AIC meeting which is in Mexico in October 2014. The theme is colour and culture and the venue – Oaxaca – is stunning. I hope to see you there.
For further details visit http://www.aic2014.org/index_en.html
Welcome to my blog
I am passionate about sharing my knowledge about colour to anyone who is prepared to listen. I work as a professor of colour science at the University of Leeds, in the School of Design, but I have held academic posts in departments of Chemistry, Physics, Neuroscience, and Engineering. Sounds like a mixed bag, but my interest was colour chemistry, colour physics, colour neuroscience, colour engineering and colour design. You see I have come to believe that colour is the perfect meta-discipline and that to understand colour you need to be able to understand (but not necessarily be an expert in) different fields of knowledge.
One way to use this blog is to just browse through it and dip in here or there. However, another way is to click on one of the categories (that interest you) such as culture, design, fun, and technology and see posts in that area. You can find the categories on the right-hand side of the page if you scroll down.
You can also comment on the blogs. I really like this, even if you disagree with me. Someone once said to me if you put ten colour physicists in a room and ask them a question (presumably about colour physics) you’ll get 10 different answers. Well, I guess not all of you reading this are colour physicists. Given our different interests and backgrounds, and given the complexity of colour, it’s not surprising that we will disagree from time to time. And that is rather the fun part.
If you have a technical question you’d love me to answer you can click on Ask Me and post it there. You can also email me at s.westland@leeds.ac.uk. I am also offering more detailed information about colour on my patreon page so take a look there if that might be of interest.
The Colourchat blog is now sponsored by Colour Intelligence
swatchmate
Very interested in this new colour-measurement device called the swatchmate cube.
The new device is launched by Swatchmate on November 13th. That;s two day’s time from now. It captures the colour and displays it on your smartphone. Does it provide any numerical data such as CIELAB? I don’t know. How much is it? I don’t know. I guess we’ll find out at the launch!!
Cadbury lose purple case
I have written a few times about various legal cases that are on-going to settle disputes about colour ownerships. For example, about 18 months ago I wrote about trademarking colour and the dispute between Cadbury and its competitors over the use of the colour purple (specifically Pantone 2685C) on chocolate packaging and advertising. In that blog I noted that Cadbury had lost a case in the USA against Darrell Lea but had been granted protection in the UK despite protests from Nestlé. The law is a complex matter.
However, today, in the BBC I read that Nestlé has won a court battle with Cadbury, over Cadbury’s attempt to trademark the purple colour of its Dairy Milk bars. This is a successful appeal by Nestlé to the earlier ruling. The Court of Appeal said that Cadbury’s trademark application lacked “the required clarity, precision, self-containment, durability and objectivity to qualify for registration”.
“We are disappointed by this latest decision but it’s important to point out that it does not affect our long held right to protect our distinctive colour purple from others seeking to pass off their products as Cadbury chocolate,” said a Cadbury spokesman. Watch this space!!
New Yahoo logo
Yahoo launched a new logo this year. I was interested that according to this website Yahoo chief marketing officer Kathy Savitt described the purple as whimsical saying “We wanted a logo that stayed true to our roots (whimsical, purple, with an exclamation point) yet embraced the evolution of our products.” Interesting.
I then found a really interesting website that is all about logos called logopedia. Well worth looking at. To build excitement towards the launch of the 2013 Yahoo logo, they released about 30 variations of the theme in the weeks leading up to the official release.
Colour e-paper
A few years ago I just didn’t really get the Kindle. Why would anyone buy a device that looks and behaves like something several generations behind a modern tablet? After all, can’t an iPad do every a Kindle can do and lots more? That was before I tried a Kindle and understood what people mean by e-paper. Fundamentally an iPad is a light-emissive device whereas the Kindle is a light-reflective device. In the dark the iPad is great but try reading it on a sun bed on holiday. Whereas the Kindle is hard to read in the dark but is easier to read in very bright conditions; just like an old-fashioned book or newspaper.
But there are two things that still let e-paper technology down. The refresh rate is slow and it’s mainly still just shades of grey. Where is the colour e-paper that promised to revolutionise our mobile displays? According to industry expert Sean Buckley the technology of colour e-paper may be grinding to a halt. And now it seems that consumers are losing interest in e-readers anyway. To read Sean’s fascinating account in full please click here.
Can colour save lives?
I have worked in colour for pretty much all my working life. Though it has led to a rewarding and stimulating career (with a little bit of success) and though my passion for colour has never waned, I do sometimes wonder if i could have put my life to something more useful. Not that colour is not useful, far from it, but what I mean is something that could save lives. For example, perhaps I could have become a researcher looking into a cure for cancer. Compared with research like that, doesn’t colour sometimes seem frivolous and secondary?
So my Friday morning today was just cheered up a little when I came across an article in the Grundig about how colour-changing technology could revolutionise the medical industry. Apparently, 1.3 million people die each year because of unsafe injections, making the humble injection the most dangerous clinical procedure in the world. Part of the problem is that syringes are sometimes accidentally reused without sterilisation.
In response to this serious issue, David Swann at the University of Huddersfield – just down the road from where I work – developed a “behaviour-changing syringe” that warns when the needle is unsafe. Once opened the syringe turns bright red within sixty seconds. It’s not even expense. Apparently a standard syringe costs 2.5 pence whereas the “behaviour-changing syringe” costs 2.65 pence.
See the original article here.
colour correction for iphone
Of course, one of the reasons (but by far not the only one) that the iphone has been so successful is the quality of the camera that is built in. It was certainly one of the features that made me switch from Nokia about 3 years ago after more than 15 years of loyalty to the swedish brand. So I was interested to read recently that the next iphone may feature advanced colour correction methods and promises to be even better than its predecessors. You can read about the story here.
Colour correction is necessary because different cameras use different RGB primaries and because the activation of the RGB sensors when taking an image depend upon the quantity and quality of the ambient illumination. So, for example, imagine the light was very very red, then the R channel of the camera would be more strongly activated than if the light was whiter. However, our visual systems are able to compensate for this so that most of the time we don’t notice objects changing colour when we move from one room to another or from inside to outside. Colour correction is inspired by human colour constancy and attempt to correct the images so that the objects in the scene would retain their daylight appearance. However, colour correction is difficult; that is, it is very difficult to get it right all of the time. One frustration I have is taking a photo of my band (I play drums in a covers band) under very colourful lighting. Often the images are very disappointing and lack the intensity of the original scene. That is because, human colour constancy is only partial and under extreme lighting things really do change colour markedly – such as under our intense LED stage lighting. In these cases I think sometimes the automatic colour correction is actually too much and I have found that I have to modify the images I capture on my mac to try to recreate what I think the original scene looked like. So auto colour correction – the state of the art – is certainly not perfect. Let’s hope this story about an advance made by Apple is true.